Haske na gani yana kai mu zuwa wasu wurare don fassara gaskiya daga wata mahangar ko daga wata dabara ta sihiri da ke barin mu a wasu lokuta muna tunanin abin da ya faru ko yadda abin da muka gani a gaban idanunmu suka faru. Art yana amfani da waɗannan tasirin sosai don wakiltar adadi ko fassara asalin ra'ayi da ƙirƙira.
Abu daya ne wanda mai zane-zanen birni da mai daukar hoto JR wanda ya gabatar da wata dabara ta sihiri ta masanin sihiri yake nema. Tsawon kwanaki da yawa, tunanin kirkirar wannan mai fasahar ya sami damar bace dala ta Gidan Tarihi na Louvre don juya shi zuwa facade na Gidan Tarihin Louvre wanda ke bayan kanta. Ta hanyar amfani da manyan hotuna na daukar hoto, JR ya sami damar kirkirar wannan yaudarar gani ta wani sikelin.
An ƙirƙira shi don sabon wasan kwaikwayonsa JR au Louvre, shigarwar tana ƙarfafa masu kallo zama wani ɓangare na rawar aiki lokacin da kake duban aikin kirkira. Don fahimtar yanki da kyau, yana buƙatar mutum ya matsa zuwa kusurwar daidai kuma daga can ana iya jin daɗin aikin gabadaya.
An tsara wannan ɗakin don ƙalubalanci masu sauraron ku su shiga cikin fasahar su. Lokacin amfani da baki da fari hotunan hotunan, JR ya bambanta kirkirarren tunani daga wasu wanda ke iya mamaye sararin jama'a na yau da kullun.
Ta hanyar sanya ɗayan wuraren da aka ɗauki hoto mafi girma a duniya ya ɓace, JR yana haifar da sakamakon nuna ra'ayoyi na alamomin al'adu dangane da asali. Kamar yadda yake bayani, katsalandan din sa ya nuna muhimmancin rawar hotuna a zamanin dunkulewar duniya da kuma kusancin amfanin su.
Kuna da nasa shafin yanar gizo, Facebook e Instagram su bi shi.
Idan kuna neman ƙarin ƙirar gani.