Asikwazi ukukhuluma nge-graphic design ngaphandle kokucabanga nge-Japan, ingenye yezinto ezibaluleke kakhulu uma kuziwa thumela imiyalezo noma imibono.
Namuhla sizokhuluma nge amaphosta aseJapan futhi ngenxa yalokho nemidwebo yaseJapane egqamile ngaphezu kwezinye futhi kulula ukuyibona yilabo abayibonayo. Imisebenzi yesi-Japanese ibonakala kalula ngokusebenzisa kwayo imibala, amafonti, nemigqa.
La Ubuhle obulula kangaka bugqama ngesitayela samajapanese. Bathi umJapani ungumuntu ophiwe ubuciko kuwo wonke amazinga futhi uhlale efuna ukulingana nobuhle. Ngakho abaklami bafaka isandla kulo mkhuba wobuhle, ukuhlanzeka nokunambitheka okuhle.
Esinye sezici ezivelele kakhulu ze-graphic design yase-Japanese kungaba ukuzivumelanisa nezimo, lesi sici sihlobene nokuhlakanipha.
Ubuciko basendulo
IJapan ingelinye lamazwe anomthelela omkhulu kwezobuciko sibonga iminikelo yabo efana nezakhiwo zabo nobuciko bepulasitiki.
Esikhathini se-Edo kusukela ngo-1603 kuya ku-1868 Ubuciko bephosta baseJapan buqala ukuthuthukiswa ngabaculi bamanje. Isuka eludongeni iye ephepheni njengendlela yokusekela ukufeza indalo. Ngalesi sikhathi, imisebenzi edalwe abaculi besikole sase-Rinpa kanye nemidwebo ye-ukiyo-e nama-prints ivela.
Kwaphela isikhathi eside bakha amaphosta asekelwe emuzweni, imizwelo ngokusebenzisa imivimbo elula kanye nezimpawu. Ngenxa yezikole zobuciko nothisha ababefundisa, kwavela abaculi bokuqala bezithombe, abadwebi bezithombe nabaqophi, phakathi kweminye imisebenzi.
Kusukela ngaleso sikhathi, iJapane kanye nomlando wokuklama imidwebo kuxhunywe futhi amunce amathonya ahlukahlukene ye-Russian constructivism, ye-De Stijl movement, i-Bauhaus futhi ngaphezu kwawo wonke amasiko aseNtshonalanga ngemva kweMpi Yezwe II.
Ukuxuba wonke lawa mathonya kanye nokunambitha kwakhe amasiko okhokho, ngenxa yalokho sinedizayini yezithombe zaseJapane.
Ngo-1868, iJapane yaba yizwe amandla okwesibili kwezomnotho emhlabeni okwasiza ukukhula kwemikhiqizo yabo, mayelana nokumaketha, ukuxhumana ngokusebenzisa ama-logos abo ... Kungaleso sikhathi lapho abadwebi bezithombe baseJapane baqala khona ukudlala, benikela ngesitayela sabo sesici.
Izinto ezakha umklamo wamaphosta aseJapane
La indlela yokuqamba, imibala noma ukusetshenziswa kwejometri yizici ezintathu ezibalulekile ngesitayela saseJapane. Idizayini yesiJapani idale olwalo ulimi ngenxa yoqobo lwalo ekusetshenzisweni kwe-typography nezimpawu zezithombe.
I-Las ama-typefaces asetshenziswa ekwakhiweni kwe-japanese anomkhawulo futhi lokhu kusiza ama-logo wemikhiqizo abasebenza nayo agqame kuphosta.
Ukuze uqonde ubuhle baseJapane, kufanele uqonde ifilosofi yabo yokuphila, yingakho sizithola siphambi kwezicucu ezinemininingwane enjalo. Idizayini yezithombe zaseJapan dlala nokungapheleli ukukwazi ukuthola izingcezu ze-asymmetries noma ukusetshenziswa kwezinombolo ezingavamile ukuthi ezikhathini eziningi lokho kungapheleli esikhuluma ngakho kuvezwa kanjani.
Okwamanje kuxubene ne-asymmetrical, lo mkhuba waziwa nge-Wabi-Sabi, okusho ukuthi bheka ubuhle kokungaphelele. Nikeza inani kokulula nokuhlanzekile ngokusebenzisa imiklamo enembile.
Enye yezimpawu eziphawuleka kakhulu zomklamo waseJapan ukusetshenziswa kwe amaphethini wezimbali njalo ekhona ngesiko Japanese ukumela izimpawu noma imizwa. Ngakolunye uhlangothi, izibalo zejometri noma amaphethini abonisa ukuvumelana.
Ukuze ubambe ukunaka komphakathi omncane, abaklami bahlanganisa imifanekiso ephefumulelwe yaseJapane noma yini efanayo, manga. Le mifanekiso ibonakala ngamehlo azo amakhulu, ikhala elincane nomlomo, kanye nokuthinta komzimba. Ngokuvamile ziyingxenye eyinhloko yephosta.
Omunye umkhuba okhona kumaphosta aseJapane uhlobene nalokho kawaii, nesiko lobumnandi, ithenda. Lokhu kusiza ukwakha ukwethenjwa futhi kusondeza umkhiqizo kumsebenzisi. Bakha imizwa yomusa, injabulo, izinto ezinhle njalo.
Njengoba sesishilo kakade, umklamo waseJapane ucabangela izimpawu zasendulo nezendabuko, njenge-calligraphy. Ukudweba izinhlamvu kubhekwa njengobuciko abambalwa abakwazi ukukufeza. Kujwayelekile ukubona izinhlamvu ezidwetshiwe kumaphosta okuholela ekuxubeni okwakamuva nokwakudala.
Abaklami Bezithombe BaseJapane Abangcono Kakhulu
I-aesthetics ye-graphic design yase-Japan iyona futhi izohlala ibonakala emhlabeni wonke, ithole imiklomelo eminingi ngenxa yabameleli bayo abaziwayo kakhulu.
Asifuni ukuvala lesi sihloko ngaphandle kokusho abaklami bezithombe base-Japan abanethonya kakhulu.
Shigeo Fukuda. Wazalelwa e-Tokyo ngo-1932. Umklami onesitayela sakhe lapho ukusetshenziswa kwe-optical illusions kugqama. Kuthonywe ukuthambekela kwe-origami. Uphawu lwakhe luwukusebenzisa kwakhe imifanekiso emnyama ezizindeni ezinemibala egqamile.
Yugo Nakamura. Wazalelwa eNara, eJapan ngo-1970. Bambiza ngobuhlakani be-flash futhi waziwa njengomunye wabaklami abahamba phambili emhlabeni.
Ikko tanaka. Wazalelwa eNara, eJapane ngo-1930. Umsebenzi wakhe ngemva kokufa kwakhe uyaqhubeka nokuba ugqozi kubaculi abasha. Yayihlanganisa isitayela saseMpumalanga nesaseNtshonalanga.
Ryūichi Yamashiro. Wazalelwa eJapane ngo-1920. Kubhekwa njengenganekwane ekuklanyeni nasekukhangiseni. Omunye wemisebenzi eyaziwa kakhulu "Forest" iphosta yokubhala.
kazumasa nagai. Wazalelwa e-Osaka, e-Japan ngo-1929. Umklami wezithombe kanye nomdwebi wephosta. Owine imiklomelo eminingi ngezingqwembe zakhe. Umsebenzi wakhe ubhekisela esikweni lobuciko baseJapane.
Tadanori Yokoo. Wazalelwa eJapane ngo-1936. Omunye wabaklami abaphumelele kakhulu nabaculi.
Sengiphetha, singaveza ukuthi i-graphic design yaseJapan ikhethekile futhi singayibona uma sinayo phambi kwethu ngoba inomklamo omuhle kakhulu. synthesis umthamo, isusa okungadingekile ngaphandle kokulahlekelwa umlayezo wayo wangempela. Singakwazi ukuhlukanisa ngaphakathi komklamo omncane, kuwumklamo ngaphandle kwezinkinga, into eyinhloko kuphela emelelwe. Kufanele ubonise ubuciko ngokwemvelo futhi ngokuzenzakalelayo ngaphandle kokuzenzisa.
Hlanganisa ukusetshenziswa kwemibala elikhanyayo, ikakhulukazi elibomvu, igolide nelimnyama, elinemibala ebandayo kanye ne-pastel shades. AmaJapane awesabi ukuhlola umbala futhi yingakho enza inhlanganisela ebonakala ingenakwenzeka.
Singafunda okuningi ngenxa yesiko lama-Japanese lapho sakha imiklamo yethu, kulesi siko kuningi esingakuhlola. Abaklami abaningi baseNtshonalanga bathathe izinkomba ekwakhiweni kwezithombe zaseJapan ukuze bakhe isitayela sabo. Akuvamile ukuhlanganisa okwanamuhla namaciko amadala, ama-Japanese amakhulu akwenzile futhi azuza imiklamo emihle eseyibhentshimark nanamuhla.
Umqondo ocacile uma ufuna ukusebenza ngesitayela saseJapane ukuthi ungakwazi ukuveza okuningi ngokuncane, kufanele lula ukudlulisa kangcono.