Today I would like to share with you the beginning of a new section focused on the graphological analysis of the most recommended fiction series for graphic artists. In this first installment we will analyze some proposals from Murder House, the first season of American Horror Story from the artistic and advertising prism. Within an artistic construction, the background of our message has as much weight as the design of our message. The what is as important as the how. Having a great technique is important, but knowing how to represent complex messages with a great emotional charge is also important.
From today we will begin a series of micro-trainings in image analysis. What it is about is that we begin to see the images and compositions in a different way, in some way develop our intuition and our interpretive sense. Of course, if you are interested in this new section, you can propose series, films, paintings or works that you consider interesting when analyzing. Remember that you can subscribe to our YouTube channel from here so as not to miss any of our video tutorials, our creative coaching section and our advertising graphology section. Let's go for it!
If we formally analyze the profile of American Horror Story, we can highlight some distinctive attributes that have probably worked as the germ of its success and its great reception, especially by young audiences. The eclecticism of his proposal inevitably calls for very disparate sectors and especially the public most susceptible to being conquered by terror, since numerous tributes are made to the most successful titles in the history of the genre. From Hitchcock's Vertigo to William Friedkin's The Exorcist to Stanley Kubrick's The Shining or even Quentin Tarantino's Kill Bill.