Ken Nwadiogbu is another Nigerian artist who comes to accompany us on this rainy day with his special gift for hyper-realistic drawing. Specialized in hyper-realistic drawings that are made with pencil and paper, he is capable of creating artistic works that are capable of capturing the eyes of those who pass through his exhibition.
Just yesterday we met Chiamonwu joy, another Nigerian artist who uses charcoal to recreate high-quality hyper-realistic works. The world is a handkerchief from which many artists come out that before they did not have the possibility of approaching the artistic circuit governed by art dealers; today it has radically changed.
Ken Nwadiogbu is an artist who comes from being a self-taught and for facing the same to different obstacles throughout his life to get to be recognized. It is his work that speaks for itself and those powerful drawings that show part of that African continent that purifies beauty and nature in its purest form.
He finished Civil Engineering for never end up in art school or some form of institute where arts education was taught. As happens to many artists, he had to make a living in art to be able to combine the monthly income to have financial stability.
Another problem he encountered was the lack of recognition of Nigerian artAnd even more so when we speak of a world in which it seems that there are countries that are outside that circuit or channel through which "everything" passes.
But it is now a series of young people who are getting whatand the art scene grows and let's begin to discover another identity with the strength that they bring from a country as striking as Nigeria.
Ken is now with different exhibitions in his country and looking for a way to open his own exhibition in which the overriding theme will be the strength of the African female woman.
You have Your Website to meet him, and on Instagram for not to miss anything of this young artist Nigerian.
Hello. Would you give me an image for the cover of a story book? He would always put his authorship.