Two points to comment. One is, the lack of dignify oneself when you are an illustrator, painter or artist and that leads us to not knowing how to appreciate what one really creates with their hands. Second, the sensations that your art can provoke to others from a different point of view than yours is something that must be tried, take off the fear and veil, and go outside.
Talaikene suffers from these two points like a painter who has acrylic as your artistic projection weapon to breathe the restlessness, symbolisms and ideas that many have to do with the depths of the feminine. A form of authentic expression where we can see ourselves touched when we look at one of his works. Restless look and deep at the same time.
"The secret of birth" is the Talaikene head work in this post, but it has many others that I share here for a shy painter and in which her art is born for others even though she wants to hide at the beginning like an ostrich sticking her head in the ground.
A work beautiful, sophisticated, unique and symbolic in which many feelings and perspectives can be gathered. It is disturbing like so many other artists who search the psyche and behavior for some basis to try to identify with others.
Neither surrealism is missing to take us before different passages and what is the search for the animal in the actions of the people around. That evolution in those blind sheep in which some can see through one eye, while one is looking at the viewer with his two.
You have the Talaikene website from this link. A special work to which you have to take a good time to find out what he offers us and what feelings one takes when in front of one of his works.
Will winson It leads us to that concern but about hyperrealism.