We always seek label, identify and the whys of everything that surrounds us. Incessantly we try to understand and understand what is out of the ordinary or what we understand as routine. That claim sometimes manages to forget the reality in front of us and this, many times, happens in art.
As if it were a product from a supermarket in which the label tells you the price, designation of origin and composition, in many works the same way of channeling what is understandable is marked the artist himself does not want us to understand. Let's say you leave it as it is, like that third arm that Jane Radstrom paints in this special fine art piece called 'Sam'.
In the first look at the work we go to the whole that is the painting of this artist. We found the delicacy, the pose and that oil that, although it seeks realism, it remains in expressing in another way that calm and that tenderness of that girl prostrate in her bed.
We go into details and we are already in that search for determination and what does not fit in the composition, that third hand. We are looking for a quick answer, it will be that you want to show movement or that in between those different postures while you sleep, you will find that other that is usually quite ideal for when you sleep a good hours.
We are already with the labels and we look with suspicion at the reasons and the reasons of that third arm, but if we look at the rest of her work, we understand that one of the goals of this artist named Jane Radstrom is the double exposure in most of her works.
Pass for your website to know the rest of his oil paintings and keep missing you for that haunting way to introduce their models.
We have another oil from this entry.